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- The Cultural Contexts for Female Theatricality
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The Cultural Contexts for Female Theatricality
Pipkin, Amanda, Rape in the Republic, - The public church was Calvinist, but there was limited toleration, especially of private religious practice. Log in Join Recently viewed Bookings Inbox. In the Low Countries, female acting on stage was prohibited, but even though Vos did not like it, women were able to perform in groups of traveling players, as they could in countries like Italy and France.
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- Brown, Pamela Allen, and Peter Parolin eds.
- Delay or Defensiveness?
- This meant that the association of female public performance with eroticism was unavoidable and that any public role, https://historicum.ru/lesotho/prostitutes-maseru.php virtuous, might point to a corrupt, sexualized identity, which was especially damning in light of the newly conceived private realm as a space for reform and devotion.
- Anonymous, De wanhebbelyke liefde, kluchtspel Amsterdam 2 nd ed.
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- Conclusion The texts, spaces, and contexts for the performances of the first actresses in England and Low Countries present us with different paradigms for understanding their presence in a more or less public playhouse.